Digital Artists Magazine

Digital Artists Magazine featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

Graphic

Explore 745 award-winning designs tagged Graphic on Digital Artists Magazine.

Yoonly Visual Identity

Fanny De Bray Visual Identity Graphic

Yoonly

Yoonly is a visual identity designed for a travel brand that offers experiences to young travellers. The letter Y is combined with a map pin, forming an on and off button that supports the baseline message, switch on life. The two letters O are shaped as an infinity sign, expressing memories that last a lifetime. The bottom of each letter flicks to the right, giving the logo a dynamic and textured look. Duck green recalls the sea and the sky, while orange recalls human warmth and sunshine. The identity is adapted for both digital and printed media.

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Dodoshine Brand Design

sxdesign Brand Design Graphic

Dodoshine

Dodoshine is a brand identity created for an appliance brand that uses ultraviolet sterilization technology. The name refers to the Chinese habit of placing items in sunlight to kill bacteria, a practice linked both to a healthy lifestyle and to ultraviolet technology. The logotype is based on a bold sans serif typeface, with added serif details of the kind often used by fashion brands. The combination gives the brand a sunny and slightly fashionable image. The logotype can be printed on products and on marketing material at a minimum size of 34 by 10 millimeters.

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Protect Biodiversity Posters

Rui Ma Posters Graphic

Protect Biodiversity

This is a series of poster designs Rui Ma created to raise the awareness of conserving biodiversity. The posters are designed as eight ways to protect biodiversity in both the English and Chinese languages. It includes: “Help the Bees”, “Protect Nature”, “Plant a Plant”, “Support Farms”, “Conserve Water”, “Recycle and Reuse”, “Take a Walk”, “Visit Botanical Gardens”.

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School of Journalism CUC Branding Identity

ECUST | CRE+ Design Hao SHAN Branding Identity Graphic

School of Journalism CUC

The logo of the School of Journalism is made up of a paradoxical graph which is composed of two books that toward different orientations. The books represent the knowledge which should be possessed by the students major in journalism profession. The books toward different orientations but combine with each other imply that the students in journalism profession should hold the objective and fair job prospect, and occupational attitude that concerns positive and negative views. At the same time, this figure also likes a nib, which symbolizes the critical spirit and sharp writing skills.

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Dreamquark Commercial Brochure

Fanny De Bray Commercial Brochure Graphic

Dreamquark

Dreamquark is an illustrated commercial brochure created for a technology company. The brochure measures 210 by 297 millimetres and explains the added value of the company in a clear way. The graphic style is inspired by the existing logo and is playful without being too minimalist. Illustrations and screenshots show the ease of use of Brain, an artificial intelligence solution. The brochure also presents the technical expertise of the company teams. The aim is to give a better understanding of the company activities.

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Buddha Said Illustration

Mengjia Li Illustration Graphic

Buddha Said

Buddha Said is a series of illustrations based on the Dunhuang frescoes. Five classic stories from the frescoes are selected and redrawn for the series. The characters of each story are refined and combined with the scenes in a modern graphic style. Colors drawn from the Dunhuang murals give the images a grand and mysterious atmosphere. The illustrations are made with vector design software and printed at 800 by 800 millimeters in high resolution. The aim is to join tradition with modern design and to make these mural stories known to a wider public.

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Vanke City Signage

YONGAN ZHOU Signage Graphic

Vanke City

Vanke City is a wayfinding signage system created for a mixed-use development in Yantai. The guide panels are made of ultra white tempered glass, a material chosen to stay visually quiet within the landscape. In sunlight the white information text blends with the background, so the panels recede among the walls, flowers and trees. The graphic language follows the interior design concept and uses pixel elements, a modular form and bright colors to build a recognizable brand image. Each panel measures 600 mm in width, 10 mm in depth and 2200 mm in height.

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Hiroshima Terrace Corporate Identity

Shinji Arashigawa Corporate Identity Graphic

Hiroshima Terrace

The Hiroshima Terrace is a visual consisting only of a diamond pattern. The reason why it uses the carp shape is that Hiroshima has long been called the city of water and that it was also called the city of carp because carp lived there. Therefore, by superimposing the image of the Japanese carp and Mitsubishi colour, Hiroshima and Mitsubishi are represented.

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Traackr Brand Identity Redesign

Felice Della Gatta Brand Identity Redesign Graphic

Traackr

Traackr is a brand identity redesign for an influencer marketing software platform. The identity combines soft shapes, bold and accessible typography, and a vibrant color palette to represent people, communities, influence, and data. Four primary colors are used, and each color is linked to a theme: business, people, technology, and passion. Using one color as dominant creates varied compositions while the brand remains recognizable. The work includes a new logo, a brand style guide, print and digital materials, and a website redesign.

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Africolor Festival Global Identity

manuela bonnet Global Identity Graphic

Africolor Festival

Africolor Festival is the visual identity created for the thirtieth anniversary edition of a music festival held in Paris. The design is based on the idea of resonance, suggesting that the festival keeps echoing across time and borders. A typographic game cuts and repeats the letters of the title to create a vibrant rhythm. The identity is clear, direct, colorful and joyful. The poster is produced in two contrasting versions, one red and one green. The same visual system is applied to brochures, flyers, subway posters, banners, tote bags and social media publications.

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FM993 30th Visual Communication Design

Baoquan Luo Visual Communication Design Graphic

FM993 30th

FM993 30th is an anniversary logo created for the 30th anniversary of 993 Music FM of Guangdong Radio and Television. The radio signal is used as the main visual element, and the numerals 993 and 30 are integrated into the radio pattern through positive and negative shapes. The composition draws on sound waves, meteor showers, staves and radial fireworks. The logo is mainly made of metal, and acrylic can also be used. The mark is clear when seen from the front, and appears as a semi-circular, multi-layered relief when seen from the side.

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Let Parents Stay Anti-poverty Social Design

Yu Chen Anti-poverty Social Design Graphic

Let Parents Stay

Let Parents Stay is a typeface based on traditional Han Embroidery, created to support a poverty-stricken village. Jinling Village is home to more than two thousand children left behind by working parents, and many residents are skilled in Han Embroidery. Local embroidery products sold poorly because the patterns had changed little for a hundred years. Classic embroidery elements were abstracted and reconstructed into modern letterforms, which local embroiderers stitch by hand. The aim is to create income and to pass the craft on in a modern visual language.

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