Graphic

Explore 745 award-winning designs tagged Graphic on Digital Artists Magazine.

Designer: Ruis Vargas Project Type: Branding Classification: Graphic

Chez Vous

Chez Vous is a visual identity created for a Belgian restaurant in Sao Paulo, Brazil. The identity reinterprets Belgian icons, such as Magritte, the Manneken Pis, rain and traditional fries, through a simple illustration style. Short texts include Belgian dialect variations, adding a sense of humor to the graphic compositions. The identity is applied to menus, posters, panels, packaging and t-shirts, giving the restaurant visual unity. Menus and posters are printed in offset with CMYK colors, while the t-shirts are printed digitally.

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Designer: Yichen Wang Project Type: Package Typography Classification: Graphic

Tracing

Tracing is a unique typography designed specifically for tracing paper packaging. It moves beyond function, becoming a medium for imagination and expression. Embodying minimalism, 'Tracing' combines bold features with delicate touches. The design draws inspiration from various typefaces, showcasing diverse stroke widths. After many versions, a balance between robustness and delicacy was achieved. Every element was carefully crafted, ensuring a cohesive look. Tracing is not just a typeface; it inspires creativity on paper.

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Designer: Mengjia Li Project Type: Illustration Classification: Graphic

Voice of Unity

Voice of Unity is a series of illustrations about epidemic prevention and control. Five Chinese idioms are paired with vivid scenes that show different aspects of the response to the outbreak. The illustrations record how many sectors of society treated the crisis seriously and cooperated with prevention work. Each image is drawn with computer graphics software in a national style that highlights Chinese spiritual culture. Strong composition and bold color give the series a clear visual impact. The illustrations are printed at 800 by 800 millimeters.

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Designer: YONGAN ZHOU Project Type: Signage Classification: Graphic

Vanke Skyline Bay

Vanke Skyline Bay is a wayfinding signage system made for a coastal development in Yantai, China. The forms follow lines drawn from the sea, recalling the coastline and the traces left on the beach as the tide rises and falls. Each sign measures 0.6 meters in width, 1.8 meters in height and 0.15 meters in thickness. The signs are produced by cutting and welding stainless steel, a material selected to resist the sea wind near the shore. The design connects guidance information with the surrounding landscape and architecture.

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Designer: ChungSheng Chen Project Type: Branding Project Classification: Graphic

Inmyes

Inmyes is a brand identity created for an eyeglass lens company. The name comes from the phrase in my eyes and expresses the idea of viewing the world from a personal perspective. The lowercase initial letter suggests a close and personal link with each consumer. The letter M is shaped to suggest a handshake, a sign of trust between the brand and its customers. The logo is applied to eyeglass cases, business cards, packaging, websites and social media. Colors are supplied in RGB, CMYK and Pantone for a consistent appearance across all media.

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Designer: Tanya Dunaeva Project Type: Sustainable Fashion Design Classification: Graphic

Fabric

Fabric / FAB is an Exhibition of Sustainable Fashion. The main task in developing the exhibition identity was to create a typographic style. The accidental font used in the design Concept reflects one of the central messages of the exhibition – a call to reduce consumption in the fashion sector, a call for reasonable consumption. Graphically, the solution is based on a cross-type of a pair of fonts-strictly grotesque and openwork accidental font, resembling the folds of fabric.

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Designer: Noriaki Mori Project Type: Disaster Prevention Pictogram Classification: Graphic

Integration

This pictogram is an integrated display of the information required in the event of a tsunami disaster. Anyone can check the hazard map of the area by reading the QR code displayed with the tsunami arrival wave height display on a smartphone. At first glance, one action by smartphone realizes a mechanism to promote the next action. The idea is based on actual experiences such as earthquakes and tsunamis caused by it, and is based on the unique idea of Japan, which can be said to be a disaster-prone country. They propose a globally unified pictogram that was unlikely before.

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Designer: Paul Robb Project Type: Typeface Design Classification: Graphic

Plasma SF

Plasma is a stylistic modular font developed to give freshness to graphic projects. The font includes diverse and versatile styles of an extensive character set with over 80 alternative glyphs allowing glyph mixing, griving the typeface a unique personality. The font is perfect for branding communications giving a distinct visual balance. The Specimen book was developed as a short run for the first 20 designers to buy the font.

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Designer: Jialiang Jing Project Type: Experimental Font Design Classification: Graphic

The Engravings on Mount Yi

The Engravings on Mount Yi is an experimental typeface design based on the ancient stone inscriptions of Mount Yi. The inscriptions record a standard small seal script used after the writing system of ancient China was unified. The project includes letterform standardization, information visualization, poster design and an augmented reality experience. The work is presented mainly as a website, with printed posters and three-dimensional models. Scanning a code on a poster shows a three-dimensional model of a character. The aim is to present traditional Chinese script in a new and clear way.

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Designer: Botond Vörös Project Type: Graphic Design Classification: Graphic

Budapest Giftbook

Budapest Giftbook is a flipbook that presents Budapest, Hungary, through a series of illustrations. Flicking the pages rapidly creates the illusion of continuous movement, so the book works as both a printed object and a short film. Each illustration can also be viewed on its own. The book has 360 pages and measures 146 by 107 millimetres. The crest on the cover is produced with silver foil printing. The result is a souvenir, a source of inspiration and a compact guide to the city.

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Designer: Eidetic Marketing Project Type: Brand Identity Classification: Graphic

Pentaheal Clinic Rebranding

Pentaheal Clinic Rebranding is a brand identity created for a Korean medical clinic specializing in functional medicine. The main motif of the identity is extension. The universal medical symbol of the cross is used as a simple visual language that patients from many countries can recognize. The symbol combines the cross with the letters P and H, the abbreviation of the clinic name. The axis of the symbol extends in both directions, so the mark suits application items of various shapes and sizes. Signage was designed for each floor of the clinic in Seoul.

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Designer: Mateus Matos Montenegro Project Type: Visual Identity and Brand Design Classification: Graphic

Cafe Soul

Cafe Soul is a visual identity and packaging design for a coffee brand. The coffee is made from 100 percent Arabica beans and is offered at an affordable price. The identity uses a modular logo whose elements can be combined to form many different faces and textures. The visual language is light and young, and aims to reach new and younger consumers. The packaging is printed in a four color process with four Pantone colors on an aluminum structure. The number seven refers to the seven family members who run the farm.

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